His latest work, a series of ceramic sculptures entitled Faces Under the Hood: Humanrace, explores the theme of diversity and similarity among people. Inspired by observing passengers in the Moscow subway, he uses the hood as a unifying symbol, showing that people of different ages, professions, and cultures can hide beneath it. In this series he plays with contrasting shapes, colors and textures, emphasizing the idea that despite our differences, we are all connected by a shared humanity.
Alexey's works are an invitation to reflection and dialogue, aiming to unite people through art and demonstrate that diversity is intrinsically linked to unity.